Fairy Tale Wedding Stationary

My FMP (Final Major Project) was to design an invitation for a fairy tale wedding and, if I had the time, some other parts of wedding stationary. I wanted to create something that links in with traditional media, taking inspiration from Illuminated Manuscripts and the work of Jan Pienkowski.

FMP: Evaluation

The Final Designs

I am extremely pleased with my designs, even more so that I have managed to create a stationary set rather than just a wedding invitation. It had been my first time in dabbling in stationary design and I have to say that I really enjoyed it and would love to do it again.

The fact that I’ve hidden little aspects of fairy tale stories within my illustration that is repeated across all of my designs means that I have met the requirements of my brief, which was to create an invitation for a fairy tale wedding. I had used traditional techniques because I felt that it was one of my strong points in design, and I am so glad that I had done this (especially because I wasn’t happy with my previous designs!)

It may seem strange that I had used black in my designs, but that’s because I wanted to create a design that would fit into one of the current trends in wedding stationary - Monotone. By using pink only brings the illustration to life and enhances the romantic appearance of the design, therefore linking to the love that the couple share.

I am very pleased with my typeface choices as well, as I fell in love with Lavanderia as soon as I clapped my eyes on it. It is actually the first typeface I’ve used in a university project where I could only use it for personal use, so whenever I posted my design online I will say how it’s for a personal project in order to avoid any problems in future with the type designer. 

Junicode works really well with Lavanderia because it is quite simple in comparison, and it wasn’t too overpowered by its serifs, as they were relatively thin. 

However I feel that by using black for the back of my other designs does probably make it look too dark. The reason I used black in the first place was so that all of my designs linked in, and as I used black card to insert in between my invitation then I thought it would be best to carry on this feature throughout my other designs. The audience could misread the use of black as one of the dominant colours, and so I hope that by using hints of pink and a lot of white space then this’ll dampen the “dark” connotations that crop up.

The reasons listed above is the reason why I have changed my mind and quickly printed out another series of designs, and this time I didn't mount them up onto black card (although left the invitation with the black card inserted in between the two sheets, as it were). The black card backing just didn't seem right to me, and even though it might look quite plain these designs are now more suited for a wedding. 

I had some problems deciding whether or not I should draw a line for the couple to write out the guest’s name, but after much deliberation I decided to leave it as it seems more personal and less mass-produced if I left this feature out. Besides, most of the invitations I had looked at didn’t include this line possibly for the same reasons as mine.

I also couldn’t figure out whether it would be more appropriate to write “names” on the RSVP card instead of the “M”, as when I showed it to several of my classmates they didn’t know what the M was for. I went with the “M” in the end as it was very rare to write “names” and I hardly ever saw it being used on the RSVP cards I had looked at. To help my lecturers know what the M is for I shall write on the names of a made up guest and then provide a blank version. 

Printing & Assembling Designs

This happens to be the first project where the printing process went extremely smoothly as I was more experienced in using the printers at university, and I had also tried out by printing off at Staples. The result was perfect; the black was pristine and the type didn’t sink into the matte paper. Even the illustration came out very clean and there were no pixilation issues. 

I did have problems with assembling my designs, especially where I wanted to put the black card inside of the invitation. My spray mount wouldn’t work so I had to resort to using double-sided tape that worked surprisingly well. Too well, in fact, because when I stuck my black card inside my invitations wrong I wasn’t able to correct it so I had to cover it by inserting another black card atop of that. 

The Overall Process

After having some experiences in the past where I was rushing at the last minute I made sure that I did as much as I could right at the beginning of the project, and so all of my energy was focused during the first stages of my project. This enabled me to be able to do relevant research and even though I did go around in circles and had to redo my designs, I had plenty of time to experiment because of the fact I was doing so much work at the beginning rather than spreading it out.

My research went along quite well and I was more open to getting ideas rather than just sticking with Behance, and soon found stationary designers through wedding magazines. Even though these magazines mainly focus on clothing and the bride I was able to figure out the current trends and this helped me with my design. And, like I mentioned before, these magazines often featured some stationary designs so I was able to research into the actual designers a bit more. My favourite has to be Coral Pheasant, and she was my inspiration throughout the project. 

I did waste a lot of time debating on what kind of direction I wanted to go in; for ages I went for the more digitalised look (so minimalist vectors) and kept on experimenting with different ideas even though I didn’t like any of them. Luckily I was able to talk to my lecturers about this to get me onto the right track, because if I hadn’t then I would’ve ended up hating the project and all of my designs. 

I just wish I thought of using traditional media sooner! The thought was there at the beginning, but I just wanted to try something completely different that I didn’t realise I would end up not liking it. I think next time I won’t be so stubborn and perhaps try both digital and traditional media to see which one looks best. 

I didn’t experiment with media as such – and would’ve loved to try out gold foil and creating wax seals – but there were several difficulties in learning these methods, and so I thought of abandoning the wax seal and replace the gold foil with experimenting on outlining with gold pen. 

I focused most on my experimentation on idea generation, and this was something completely new because I had never been able to develop my ideas as much as I did for this project. This means that I spent more time on getting the ideas and sketching so that the designing process was much shorter (as I knew exactly what I was doing). 

Overall Conclusion:

All in all, I really enjoyed this project despite the difficulties I had at the beginning and would love to delve further into stationary design, so maybe over the summer I shall look into it a bit more.  

FMP: Gathering Feedback

Today I sat down with my lecturers and classmates to have a crit meeting on where we were so far in our projects, so I was able to present the designs that I had to see if I could get any feedback from them. I am pleased to say that the crit went extremely well and that most liked my designs – especially my typeface choices – and there wasn’t really anything that I needed to desperately change about it.

I showed them two versions: one set of designs I had printed off at Staples, and the other from uni. All had agreed that the Staples designs were a lot more pristine and the black really stood out from the page, and this only confirmed my thoughts so I decided to stick with those.

They mentioned I should try out is to cut down the white border around the invitations or get rid of it altogether, so I printed out several versions and cut them down to different sizes.

I first cut the border so that it was 5mm away from the illustration, and then another where it was 8mm away, and then another without the border at all. I then cut down some black card that I was hoping would be inserted between the back and front design to see how it would look as a final piece.

(please zoom to see more detail!)

The thin border (5mm) looked quite good without the card but as soon as I placed it in front of it, it looked as if I was mounting my design onto a portfolio rather than creating an invitation. This was the same for all of my other designs that had borders, and the one without any borders at all just looked a bit out of place.

I then put my original design in front of the black card and it looked perfectly fine; although the black card didn’t create a border, it was a subtle feature as when I turned it to the side you could see the black card sandwiched between the front and back.

Conclusion:

After taking notes on the feedback I gathered I was able to do some experimentation, and this allowed me to try something that I never thought of before. Even though I am going back to my original design it was nice to try out the idea of thinning out the borders. 

FMP: Thank You Card Sketches & Design

The Final Design

The Process
The first step I took was to get some sketches down on paper, and this didn't take long because I already had my ideas in mind that was inspired by all of the other parts of the stationary. I wasn't going to design something completely new so I could get away with having the same format as the other designs.

FMP: Budgeting & Materials

Even though I have mentioned that I am going to design a few more cards, I have decided to print off those that are completed just in case I run out of time. After all my brief was just to create the wedding invitation, so whatever else is just a bonus.
I first printed off using the printers at uni, having to pay just for the paper which was 0.60p per sheet of matte paper. The print outs came out perfectly, but I wanted to print out at Staples to see what their quality was like and if it was better.

Printing for uni
I rang Staples first to see what price range their paper was before I went into the shop, as I wasn't sure whether or not they printed out on matte paper.
Unfortunately they don't print out on envelopes so I would have to figure out a way to get a design onto an envelope elsewhere.

Matte paper (90 gsm & 100 gsm) - A4

Colour - 56p
B&W - 15p

There is an additional charge of £3 to open up the files so I'll be paying at least £3.71 for just two pieces of paper. Now I find this to be ridiculously expensive, so I wondered whether or not it'll be easier if I printed off more than two pieces and do, say, 10.

If I do ten colour prints on A4 then it'll be £5.60 + £3 = 8.60. This is still expensive but doesn't sound as expensive as it would do for just printing out two sheets of A4 paper.

100gsm would be too thin for my designs, so instead I looked at 160gsm which came to 60p per sheet. So 7x0.60 = £4.20 to print out two invitations (one double sided and another with separate sides), the Save the Date, the RSVP, and the Place Card. Then it was an additional £3 so £4.20 + £3 = £7.20

FMP: Screenshots - Changes to the Designs

After gathering some feedback I made some changes to all of my designs - the invitation, Save the Date, RSVP and Place Card - because there were still some aspects of them that needed tinkering. Luckily I still had more than enough time to do this!

Place Card
I only made a small change to the place card which was to change the name to my own. The reason for this is because when people walk past to look at my work, my name would be printed on that place card and it would be this design that people talk about e.g. "the wedding invitation with Elizabeth Owen on it..."
I normally wouldn't display my full name but because it's quite long it would show that names would be able to fit on one line.

FMP: Thank You Card Research

The Thank You card is one of those that I would like to try and design - if I have enough time - as it is one of those that would fit more with the stationary set that I have already designed, that and the Table Plan (because the Place Card looks slightly out of place). I begin my research by doing what I usually do; gathering inspirational designs and creating a mood board.

The Mood Board

Image Sources: http://www.behance.net/gallery/Missoula-Wedding-Announcements/5928711 http://www.behance.net/gallery/Cameron-Wedding/3182282 http://www.behance.net/gallery/CMYK-Themed-Wedding-Invites-and-more/4665299 http://www.coralpheasant.com/blog/wedding-invitations/great-gatsby-inspired-editorial/ http://www.coralpheasant.com/blog/wedding-invitations/april-matts-french-garden-party-wedding-invitations/ http://www.coralpheasant.com/blog/wedding-invitations/megan-and-ben/ http://www.beastpieces.com/2012/02/brooklyn-wedding-invitations/ http://www.luulla.com/product/8638/ http://www.paperchainweddingstationery.co.uk/Collections_florence.htm http://www.dearevie.co.uk/invitations/blackboard.html http://www.dearevie.co.uk/invitations/fern.html http://www.hellolucky.com/wedding/thank-you-cards.html (2) http://www.weddingpaperdivas.com/product/12445/foil_stamping_thank_you_cards_lasting_impression.html http://www.minted.com/product/thank-you-cards/MIN-43Z-TYC/beaucoup-de-fleurs http://www.minted.com/product/thank-you-cards/MIN-0A6-TYC/we-said-i-do http://www.minted.com/product/thank-you-cards/MIN-69Z-TYC/bold-botanicals http://www.minted.com/product/thank-you-cards/MIN-29Z-TYC/flower-sketch http://www.minted.com/product/thank-you-cards/MIN-52Z-TYC/strawberry-thanks http://www.shineweddinginvitations.com/wedding-thank-you-cards/fairytale-thank-you-card http://www.shineweddinginvitations.com/wedding-thank-you-cards/classic-damask-thank-you-cards http://www.notonthehighstreet.com/beautifulday/product/love-birds-design-thank-you-cards http://www.notonthehighstreet.com/eb1weddinginvitations/product/cameron_thank_you_card http://www.weddingchicks.com/2012/10/26/easy-bridal-shower-ideas/

Image Sources: http://ohsobeautifulpaper.com/2013/05/jamie-aarons-modern-romantic-destination-wedding-invitations/ http://ohsobeautifulpaper.com/2013/03/quick-pick-la-happy/ http://ohsobeautifulpaper.com/2013/03/courtney-pauls-brooklyn-wedding-invitations/ http://ohsobeautifulpaper.com/2012/12/helen-steves-country-inspired-kraft-paper-wedding-invitations/ http://ohsobeautifulpaper.com/2012/11/greeting-cards-a-z-thank-you-cards/ http://www.behance.net/gallery/Wedding-Invitations/655646 http://www.behance.net/gallery/Le-Wedding-Invitation/1242107 http://www.behance.net/gallery/Wedding-Set/1582883 


Inspirational Designs
Unlike my RSVP cards I shall pick a few of these designs to analyse, although these might be very brief as (from what I can see already) the Thank You card designs are very minimalist so there won't be much to talk about.

FMP: List of Wedding Stationary

I mentioned in my previous post how I was going to see if I have enough time to do other cards for this stationary set, so I'll first start off by looking to see what is actually included in a wedding stationary set and found this website (Black Mouse Wedding Stationary) that has a list of them along with a little description on each one. I shall copy & paste what they have written below and cross out the stationary I have already done:

"Day Invitation
The most basic requirement is the invitation itself. These can be many formats, but a quality card single folded to A6 is ideal. We have these available in white, ivory, gold, silver and pearl.

Traditionally, the lettering is in black, but a color or a metallic gold is not unusual. The text is usually printed on a paper insert and we have these available cut to fit our cards so that you can write, photocopy or print them from a computer yourself.

The wording of the invitation copy is dependent on your situation. Consider who is doing the inviting (usually the bride's parents), who are the recipients (their full names and titles), the kind of ceremony (church or civil ceremony, formal or informal), when, and where. An RSVP is usually requested and a reply card may be enclosed to facilitate this (see below)
Click here for basic wording examples.

Envelopes for hand made stationery are available in a range of colours, including gold and silver.

Evening Invitation
These are reception only invitations and can either be the same size as the day invitation or sometimes a smaller version. We have a smaller 88 x 114mm card available if required. To an extent the size may be determined by the amount of text you need inside.

Announcements
An announcement card is sent to inform those family and friends who for whatever reason were not invited to the wedding. They are sent after the ceremony. They look very similar to an invitation with different wording inside.

Save The Date
These are sent in advance of the invitations to ensure that the special day is earmarked by guests. Often used when the wedding is taking place abroad or for other reasons where the guests will need to know a long time in advance. They look very similar to an invitation with different wording inside. They can also be a flat printed A6 card. For more details click here

FMP: Place Card Design

The Final Design

The Process
I wanted to create the other parts of the stationary set and decided to design a place card, having gotten an idea whilst doing the RSVP, so it was just a matter of converting it into a Place card.

I started by looking at different dimensions of Place cards before settling with 11x5cm when folded. I opened up InDesign and put in the dimensions of when it'll be flat (so 11x10cm) and put in three margins.
Once that was done I needed to place a rectangle in it as a guide to see where it would fold, so I clicked on the Shape tool, then clicked randomly and a boxed appeared. I typed in 11x5cm. I then put the rectangle at the top and Placed in the illustration and wrote the longest name I could think of so I know what pt size the type has to be.

FMP: Place Cards - Brief Research

I am going to briefly research into Place Cards (even though I already have ideas inspired by my RSVP ideas) just so that I know what the basic format and dimensions of the Place Card is. The reason why I'm not going to go into great detail is that I am not doing the whole design afresh as it would have obvious links to my invitation suite and so I'm not producing anything new. Besides, the Place Card will probably only display an illustration and then the name on it.

Mood Board

Image sources: http://theknottybride.com/18528 http://blog.paper-source.com/wedding/studio-city-inspiration-wedding-place-cards-menus/ http://blog.paper-source.com/wedding/for-you-diy-wedding-suites-2013/ http://www.zenadiadesign.com/archives/4938 http://thenaturalweddingcompany.co.uk/blog/2013/04/animal-ears-silhouette-place-cards-for-a-woodland-wedding/ http://www.sugarfootmomma.com/2010/11/thanksgiving-table-inspiration.html http://blog.weddingpaperdivas.com/diy-apple-place-card-display/ http://imbueyouido.com/real-palettes/purple-teal-navy-wedding-reception-stationery.php http://nestlovedesigns.blogspot.co.uk/2012/01/our-wedding-day.html http://baerhomedesign.com/more-wine-cork-inspiration/ http://smockpaper.com/blog/2009/06/08/custom-letterpress-place-cards-calligraphy/ http://www.designsgirl.typepad.com http://www.beau-coup.com/wedding/personalized-autumn-leaves-place-cards.htm http://www.notonthehighstreet.com/beautifulday/product/personalised-wedding-place-name-cards http://ohsobeautifulpaper.com/2012/06/day-of-wedding-stationery-mid-century-modern/ http://ohsobeautifulpaper.com/2012/06/wedding-stationery-inspiration-pinwheels/  

FMP: RSVP Card Design

The Final Design 

The Process

Laying out the Type
With my Save the Date card out of the way I could now focus on my RSVP design. As I already have an idea in mind I was ready to go straight onto InDesign.
So I create a new document with the dimensions of an A6 card but this time with a landscape orientation. Then I was able to start filling in the type.

Once I did some of the type I drew a thin line using the line tool, holding down shift at the same time so that it would be perfectly straight. I changed the thickness to 0.25pt so that it wouldn't be too thick.
As I had included a line between the two words, I had to adjust them so that they allowed enough space for the line. In the end I shortened the line and made sure that I shortened the others to keep the design consistent.

FMP: Save the Date design

The final design

The process

To start my design I created a new document in InDesign and put in the dimensions of an A6 card (using that little booklet on invitation designs to help me figure out how large I wanted it to be). I made it so that it was portrait rather than landscape so that it would look like a mini version of the invitation.

Now it's ready to design!

Design One
I'm still a bit unsure of what Save the Date design to go for, so my first thought was to do one exactly like my invitation. I began by Placing my illustration onto the design but let it bleed to the edge, and then drew a white rectangle within my little "box" where my text would go.

Once the general layout was then I then began to put in the type (having already written it down during my sketching stage). This is entirely experimental but in the end I found myself copying & pasting what I did on the invitation but then adjusting it to fit onto the Save the Date card.
I pushed my illustration to the side and brought up the baseline grid just so that I could get all of the type aligned correctly.

FMP: Developed Ideas - RSVP & Save the Date Card

After doing my brief research on RSVP cards I revisited my sketches and picked a few that I really like, merging them with my newer knowledge of the two cards.

It didn't take long for me to decide on which design to go for for the RSVP as I had already had one in mind, but it just took me a little push to pick it as my final idea. I'm still a bit unsure on what to do for my Save the Date but I do like the idea of having the same border as I did for the invitation but letting it bleed to the edges.

I could now update my Chosen Designs page with my new idea at the bottom (I just did a quick sketch so that I didn't lose my idea so it's not perfect!)

Conclusion:
What I need to do now is experiment with these ideas, especially with the Save the Date as I'm still quite unsure on what to do with it.

FMP: R.S.V.P Card Research

As I had already done some sketches for my RSVP cards I thought it best to actually write out a document on this because during my sketching stage I did have a look at RSVP cards to help me out. I'm not going to do this in much detail because I have noticed that they are normally very minimalist and most only show the type.

Mood Board 

I shall start off by doing a mood board of all of the RSVP cards within their stationary sets, because I found that it was easier to analyse them with their invitation counterparts. I found all of these designs on Oh So Beautiful Paper , a website/blog that showcases beautiful stationary sets. The last couple of designs I got from various Behance profiles.

Image Sources: http://ohsobeautifulpaper.com/2013/04/april-matts-french-garden-party-wedding-invitations/ http://ohsobeautifulpaper.com/2013/03/rebecca-varuns-lasercut-and-gold-foil-wedding-invitations/ http://ohsobeautifulpaper.com/2013/03/natalie-pauls-southern-magnolia-wedding-invitations/ http://ohsobeautifulpaper.com/2013/02/sarvenaz-graigs-art-nouveau-wedding-invitations/ http://ohsobeautifulpaper.com/2013/02/downton-abbey-inspired-wedding-invitations/ http://ohsobeautifulpaper.com/2013/01/beth-michaels-pink-and-gold-foil-wedding-invitations/ http://ohsobeautifulpaper.com/2013/01/jason-kellsies-music-inspired-black-and-white-wedding-invitations/ http://ohsobeautifulpaper.com/2012/12/best-of-2012-nature-inspired-laser-cut-wedding-invitations/ http://ohsobeautifulpaper.com/2012/10/laura-bens-traditional-pink-letterpress-wedding-invitations/ http://ohsobeautifulpaper.com/2012/08/elspet-thomass-whimsical-hand-lettered-wedding-invitations/ http://ohsobeautifulpaper.com/2012/03/diy-tutorial-rubber-stamp-floral-wedding-invitations/ http://ohsobeautifulpaper.com/2010/11/art-deco-garden-party-wedding-invitations/ http://ohsobeautifulpaper.com/2010/08/rachelle-todds-garden-inspired-wedding-invitations/ http://ohsobeautifulpaper.com/2010/08/classic-wedding-invitations-in-pink-gray/ http://ohsobeautifulpaper.com/2010/07/vintage-inspired-san-francisco-wedding-invitations/ http://www.behance.net/gallery/Invitations/7599823 http://www.behance.net/gallery/Invitations/7599823 http://www.behance.net/gallery/Romantic-Bohemian-Wedding-Invitation/7477961 http://www.behance.net/gallery/Fourth-of-July-Wedding-Invitation/7345107 http://ohsobeautifulpaper.com/2012/04/mary-bens-elegant-and-rustic-letterpress-wedding-invitations/ 


Inspirational Designs

FMP: Initial Stationary Sketches

Now that I have made my decision on what would be my final invitation design, I thought that it was time to look into doing some initial sketches for the Save the Date card.
I began my sketches on a little notepad on the train, so I wasn't able to go into great detail as the train kept shaking. Once I got home I was able to continue doing my initial ideas (and found it a lot easier to concentrate!)

FMP: Save the Dates Card Research

Now that I have managed to come up with a design for the wedding invitation I would like to create other cards to bring together a whole set, and the Save the Dates card is one of them!

The Save the Date card is the card you would normally send out a couple of months before the wedding invitation, and from what I know they have quite a simple design. However I had a look around some designs and have collected them all onto a mood board below.

Mood Board

Image sources: http://www.behance.net/gallery/Wedding-Stationary-2/6445683 http://www.behance.net/gallery/Summery-Save-the-Dates/7365213 

http://www.behance.net/gallery/J-D-Invitation/4806281 http://www.behance.net/gallery/Alyssa-Chris-Save-The-Dates/5731475 http://www.behance.net/gallery/Paola-Leeroy-Save-the-Date-21812/2300970 http://www.behance.net/gallery/6-Theme-Wedding-Card/5269519 http://coralpheasant.com/index.php http://www.invitationcrush.com/heart-to-heart-save-the-date-cards/ http://www.canvasboutique.co.za/projects/2013/01/11/taryn-wills-simple-stylish-save-the-dates/ http://www.canvasboutique.co.za/projects/2011/02/19/robyn-stephens-save-the-dates/ http://abduzeedo.com/super-cute-save-date-cards http://www.minted.com/product/save-the-date-cards/MIN-ARA-STD/winter-flourish http://www.notonthehighstreet.com/bedcrumb/product/fairytale-castle-wedding-stationery-range http://www.notonthehighstreet.com/papergrace/product/love-letter-wedding-stationery-range http://www.notonthehighstreet.com/lovatpress/product/vintage-heart-save-the-date-card http://www.notonthehighstreet.com/bedcrumb/product/personalised-save-the-date-magnet-cards http://www.notonthehighstreet.com/projectpretty/product/jessica-save-the-date-invitation http://www.notonthehighstreet.com/beautifulday/product/love-birds-personalised-save-the-date-cards http://ohsobeautifulpaper.com/2010/03/sarah-jons-nature-inspired-save-the-dates/ http://www.behance.net/gallery/Save-the-Date/5925431 http://www.behance.net/gallery/Save-the-Date-designs/1933143 http://www.behance.net/gallery/Yosia-Olivias-Save-The-Date/4366693 http://www.behance.net/gallery/Save-the-Date/3278635 http://www.behance.net/gallery/Save-the-Date-Wedding-Invite-Samples/6504591 

Inspirational Designs

I am going to take some of the designs above that I find inspirational, and I’m going to analyse them below. This should help me figure out what to place on my Save the Date card so that I wouldn’t have to redo my research later on during the designing process.

FMP: Rapunzel Inspired Type

As I have been so inspired by the typestyle in the main headings used in the Art of Disney Rapunzel I decided to try it out for myself through hand-lettering. I had never done hand-lettering before so it was a new experience for me.

I started off by drawing three lines: one for the baseline, x-height and the cap height. Then I began to write in the letters (inspired by the Blackletter design and the style they used in Rapunzel but with my own twist) and after that was done I made some strokes thicker than others.

I really liked the way they had drawn the thin strokes in the Rapunzel design and wanted to do something similar, so that one side of the stroke would be thin and the other would be thick (Rapunzel did it the other way around). This makes the type look more delicate and elegant.

Here are some of the other words I tried out by using the same technique:

Conclusion:
After thinking about this I realised that my design that I had created was already good enough for that fairy tale appearance, and that by adding this typeface would probably ruin it and become stereotypically medieval. I want to create something new, something unusual, and something that wasn't too obvious.
It was nice to have a little experiment with hand-lettering and, surprisingly, I really enjoyed doing it!

FMP: Illuminated Manuscripts Design - Experiment with Gold Pen

I would've loved to try out gold foil but after watching several videos on YouToube I thought that it wouldn't be suitable for my design as they are ideally used to create blocks of cover, so like a silhouette. If I did use gold foil then I would use it to cover the whole of my castle like a silhouette but that'll only detract the detail on it.

Instead I bought a gold pen - well, more of a gold gel pen - to experiment with by outlining some of the roses with it just to bring them out. I photocopied my illustration in order not to mess with the original, and began to draw!

FMP: Illuminated Manuscripts Design

The Final Design

The Traditional Route
I have mentioned in my previous post that I was really inspired by Illuminated Manuscripts because of how incredibly detailed they were, and they instantly had that fairy tale feel to it and I found that they were very "rich" in the sense that only expensive designs would have that much detail in. Actually, thinking about it, I think only the rich were able to purchase such beautiful books!

I wasn't too sure on what I was going to do in terms of colour so I thought that I would do all of the drawing and inking first before going onto that. I wanted to just let myself go with the flow and not decide too much before I even start!

I start by drawing out the outline of the invitation (as I drew this on A4) with the dimensions of an A5 piece, and then drew another boundary of where the castle would be so that I could draw it as accurately as possible. And then I started to draw the castle!

FMP: Inspiration - Illuminated Manuscripts

Whenever I think of fairy tales my mind flicks back to those Disney films where they open up with pages of medieval books that start the story of the main character (e.g. Snow White, Brier Rose). There is just something about medieval books that I really like and the intricate detail found in their illustrations is really inspiring.

However my main inspiration for medieval-inspired books is an artists book by Natalia Goncharova, but due to copyright issues I cannot post the photos I took of it online. Therefore I have decided to look at medieval books that have a similar design. Because of the fact that I am now going to illustrate the wedding invitation by hand, so it would be a lot easier for me to go into detail as I find drawing a lot easier to do by hand.

Mood Board

The first time I had seen medieval books “for real” was during my trip to London to see the Illuminated Manuscripts. Unfortunately I wasn’t allowed to take any photos due to the delicacy of the pages so I went onto Google to produce a mood board all of those manuscripts that have inspired me. 

Image sources: http://merryfarmer.net/2012/06/25/medieval-monday-illuminated-manuscripts/ http://historicconnections.webs.com/historyofwriting.htm http://bonnie0109.wordpress.com/tag/illuminated-manuscripts/ http://podosokorskiy.livejournal.com/2475969.html?nojs=1  

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